Final verdict (for now) on parallel importation of books

The final verdict is in: the copyright restrictions on parallel importation of books into Australia are staying (which is good news for Australian writers).

Kate Eltham from the Queensland Writers' Centre sums up the outcome (and links to more information) here.

For background on the issue, you can check out my post on the subject back in July.

(And yes, I will write about an actual book again very soon! - Nearly caught up on everything again...)

The verdict: parallel importation of books

The verdict is in on the Australian Productivity Commission’s study into copyright restrictions on the parallel importation of books – and plenty of Australia authors are furious.

Blogs and Tweets are appearing on the topic at a rapid rate, with writers and literary organisations expressing their anger and frustration at the Commission’s recommendation to scrap import laws and allow international version of Australian books to be sold locally.

I attempted to summarise both sides of the argument back in January. In a nutshell: those in favour of the change (booksellers and many book buyers) believe it will mean cheaper books; those against say it will be the death of the Australian publishing industry, minimising local content in Australian novels and reducing incomes for local authors.

The Commission released its final report on 15 July, proposing the abolition of import restrictions after three years. You can read the key points of the findings here.

Here are some useful links for those wanting to better understand the issue:

- Kim Wilkins' colourfully-worded and wonderfully articulated writer’s perspective

- A different perspective from literary/cultural mag Overland

- Today’s article in The Australian (plus links to related articles)

- The Commission research report in its entirety

These changes are still only recommendations. The report still needs to be considered by Federal Parliament. If you want to support the fight against changes to import restrictions, Ozlit offers some options. some options.

Does the price of a book influence your choices?

A debate is raging in Australia at the moment about how much we pay for books and how much we could be paying if booksellers were allowed to import cheaper versions.

The argument surrounds what’s known as parallel importation. That means importing international versions of books that are also printed in Australia by local publishers.

The Australian Productivity Commission is considering this issue in a study into Copyright Restrictions on the Parallel Importation of Books, and it’s sparked one of the most heated industry debates in recent years.

In one camp, you’ve got the “cheaper books mean more books being bought and read” proponents (predominantly booksellers); in the other, their “but at what price to the Australian publishing industry” opponents (publishers and writers).

In a nutshell, if booksellers can import the cheaper versions of books, they can naturally sell them for a much cheaper price than the locally printed editions. (This goes for books by best-selling international and local authors, who have editions published in more than one country – that’s why a web search on certain novels might deliver three or four different editions with different covers, and even different titles).

Former NSW Premier, Dymocks Books board member and avid reader Bob Carr argues that parallel importation of cheaper books will mean there will be more books on Australian shelves, which he says is good for everyone.

In a column in The Weekend Australian Review, he says best-selling books are unnecessarily expensive in Australia because bookshops can’t buy from overseas if an Australian publisher expresses an interest in publishing it here. He says the argument that the existing legislation protects local publishers is moot, because more and more Australians are buying books online through outlets such as Amazon. (You can read the full article here.)

One of the most pressing points of contention from opponents of cheap imports is that Australian publishers won’t be able to compete on price with international publishers, which in turn will impact their viability to publish local works.

Brett Haydon of UNSW Press, on his blog Hedged Down, argues that price is not the only consideration when a reader decides to buy a book. He says people don’t choose who they read based on price, any more than they buy books by the kilo.

On this point I agree: if I want a book, I’ll pay the cover price. If it is a new release blockbuster (like, say, a Harry Potter novel), I might shop around to get the best price. But I wouldn’t pass over the book I wanted for a cheaper book I wasn’t as interested in.

However, if there is a choice between a more expensive local edition and a cheaper import – which has exactly the same content – there’s a fair chance buyers are going to reach for the cheaper one.

But here’s the rub: there’s no guarantee the content will be the same when it comes to international versions of Australian books.

In US version of Australian novels, for example, the cultural references, slang and idiosyncrasies that make the story Australian, are often edited out or replaced with something more familiar to American readers.

So it’s entirely possible a young reader might pick up the cheaper imported version of a Tim Winton, Markus Zusak or John Marsden novel to find it full of American references, not the original Australian content.

As Bookseller and Publisher says in its response to Bob Carr, there will be fewer books in Australian homes if “Australian children can’t find themselves in them”.

And so, the debate rages on.

What do you think? Are these issues important?

Do you buy a book based on price? Would you buy a cheaper import? Does it matter if the content is different?

(The Commission has released an issues paper, outlining some key matters to be addressed in the study and calling for public submissions. It’s due to present its findings to the Australian Government in May 2009. You can find out more here.)